{"id":1139,"date":"2018-11-20T01:38:47","date_gmt":"2018-11-20T01:38:47","guid":{"rendered":"http:\/\/testing.doreendagostinomedia.com:8888\/?post_type=project&#038;p=1139"},"modified":"2021-04-21T17:40:48","modified_gmt":"2021-04-21T17:40:48","slug":"steve-gadd-band","status":"publish","type":"project","link":"https:\/\/doreendagostinomedia.com\/wordpress\/project\/steve-gadd-band\/","title":{"rendered":"Steve Gadd"},"content":{"rendered":"\n[et_pb_section bb_built=&#8221;1&#8243;][et_pb_row][et_pb_column type=&#8221;1_3&#8243;][et_pb_image _builder_version=&#8221;3.17.6&#8243; src=&#8221;https:\/\/doreendagostinomedia.com\/wordpress\/wp-content\/uploads\/2018\/11\/SteveGaddBand.jpeg&#8221; \/][et_pb_social_media_follow _builder_version=&#8221;3.18.2&#8243;][et_pb_social_media_follow_network _builder_version=&#8221;3.18.2&#8243; social_network=&#8221;facebook&#8221; skype_action=&#8221;call&#8221; url=&#8221;www.facebook.com\/drstevegaddofficial&#8221; background_color=&#8221;#3b5998&#8243; 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background_color_gradient_start_position=&#8221;0%&#8221; background_color_gradient_end_position=&#8221;100%&#8221; background_color_gradient_overlays_image=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221; background_size=&#8221;cover&#8221; background_position=&#8221;center&#8221; background_repeat=&#8221;no-repeat&#8221; background_blend=&#8221;normal&#8221; allow_player_pause=&#8221;off&#8221; background_video_pause_outside_viewport=&#8221;on&#8221; box_shadow_style=&#8221;none&#8221; hover_transition_duration=&#8221;300ms&#8221; hover_transition_delay=&#8221;0ms&#8221; hover_transition_speed_curve=&#8221;ease&#8221;]\r\n\r\nTwitter\r\n\r\n[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][et_pb_text _builder_version=&#8221;3.18.2&#8243;]\r\n\r\n<p><a href=\"http:\/\/www.drstevegadd.com\" target=\"_blank\" rel=\"noopener\">www.drstevegadd.com<\/a><\/p>\r\n\r\n[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;2_3&#8243;][et_pb_text _builder_version=&#8221;3.17.6&#8243;]\r\n\r\n<h1>Steve Gadd, Grammy\u00ae-Nominated, world-renowned drummer, returns with his 4th album release from <em>Steve Gadd Band<\/em><\/h1>\r\n<blockquote>\r\n<p>&#8220;These fellows make up the better part of my musical life. Together we make a traveling community. It&#8217;s been that way for half of my days. Long may it remain so.\u00a0Each of these guys individually is a creative force with his own prodigious body of work, Each is recognized throughout the musical world as a master of his own axe. Together they are even more than the sum of their parts. When they release a new batch of fresh tunes it is a gift, to be sure, and a cause for celebration. I\u2019m often asked to talk about music but really, it\u2019s all in the listening. I wish you the joy of it.&#8221;\u00a0 \u2014\u00a0 <strong>James Taylor,<\/strong> 3\/31\/18<\/p>\r\n<\/blockquote>\r\n<p><img loading=\"lazy\" class=\"size-full wp-image-1205 alignleft\" src=\"https:\/\/doreendagostinomedia.com\/wordpress\/wp-content\/uploads\/2018\/11\/SteveGadd.jpeg\" alt=\"Steve Gadd Band\" width=\"275\" height=\"212\" \/>On their self-titled fourth album released by BFM Jazz on March 23rd, Steve Gadd, the veteran drummer, shifts once again into the position of leader and producer, roles with which he feels increasingly confident at this stage of his lengthy career. \u201cAll the guys in the band are good friends of mine, people I like being around\u2014not just musically but in general,\u201d Gadd says. \u201cIt\u2019s great to be able to play with guys you like and create more opportunities to keep playing with them.\u201d\u2028<\/p>\r\n<p>\u201cThe guys\u201d are <strong>Walt Fowler<\/strong> (trumpet\/flugelhorn), <strong>Jimmy Johnson<\/strong> (bass), <strong>Michael Landau<\/strong> (guitars) and the newest member of the Steve Gadd Band, <strong>Kevin Hays<\/strong> (keyboards, vocals). Fowler, Johnson and Landau are, like Gadd himself, all veterans of James Taylor\u2019s touring band. Hays was suggested by<strong> Larry Goldings<\/strong>, the band\u2019s erstwhile keyboardist. <em>Steve Gadd Band<\/em> follows <em>Gadditude<\/em> (2013), <em>70 Strong<\/em> (2015) and <em>Way Back Home (Live from Rochester, NY)<\/em> (2016), the latter\u2014nominated for a Best Contemporary Instrumental Album Grammy\u00ae.\u2028<\/p>\r\n<p>One of the most highly acclaimed and prolific drummers in history, Steve Gadd has performed on literally thousands of sessions and live gigs for more than four decades. He has supplied the core rhythmic foundation on iconic recordings from astounding A-list artists from <strong>Steely Dan<\/strong>, <strong>Paul McCartney<\/strong>, <strong>B.B. King<\/strong>, <strong>George Benson<\/strong>,<strong> James Brown<\/strong> and<strong> Al Jarreau<\/strong>, to cite just a tiny percentage of his discography. Here\u2019s what a few of these artists have to say about Steve Gadd:\u2028<\/p>\r\n<blockquote>\r\n<p><strong>Paul Simon<\/strong> says: \u201c[Gadd] is the premier drummer of his generation.\u201d <br \/><strong>Eric Clapton<\/strong> calls Steve Gadd: \u201cOne of the great drummers I\u2019ve played with.\u201d<br \/><strong>Chick Corea<\/strong> describes him as: \u201cA master of creative grooves.\u201d<\/p>\r\n<\/blockquote>\r\n<p>Most players with a r\u00e9sum\u00e9 boasting even a fraction of Steve Gadd\u2019s credits would be content to collect the accolades that come with being a successful sideman. But for Gadd, acting as a first-call utility player is only part of the story. \u2028\u2028\u201cWhen you play with guys you respect musically, you evolve; that\u2019s what happens,\u201d Gadd says. \u201cWe all play together with James already so we know each other well, but the more we play as a band, the more comfortable we get with these tunes. It just sort of happens naturally.\u201d\u2028\u2028Each of the five band members contributes original song material to Steve Gadd Band, bringing to the 11-track album a wide variety of moods, textures and tempos.<\/p>\r\n<p><strong>Album Project Description<\/strong><\/p>\r\n<p>The sessions took place at Sphere Studios in North Hollywood, California, at the tail end of 2017. \u201cWhen we went into the studio\u2014and this was my first time using this studio\u2014we knew what we were gonna do, but we were working on the arrangements at the same time. That was the process,\u201d Gadd says.\u2028<\/p>\r\n<p>Some of it was composed specifically for this project and some tunes were waiting for the right home. \u201cI either think a song is good for us or it isn\u2019t. But I think all of it works,\u201d says Gadd about the new album. \u201cWe had a few days where I hung out with the guys individually and we listened to the stuff and decided what we were gonna do,\u201d he adds.<\/p>\r\n<p>Steve Gadd Band opens with \u201cI Know, But Tell Me Again,\u201d one of three songs contributed by Johnson. (On this track Gadd is a co-writer.). A perfect example of what Corea describes as a \u201ccreative groove,\u201d the deeply funky jam showcases the rhythm section and allows generous stretching-out space to Hays and Landau. It also features<strong> Duke Gadd<\/strong>, Steve\u2019s 34-year-old son, who adds percussion to this and a couple of other tracks, and acoustic guitar to another. \u201cDuke is a drummer too but he plays a bunch of different instruments,\u201d Steve says. \u201cI\u2019m really happy that he was able to be involved. It was a great opportunity for us to be together musically.\u201d\u2028\u2028\u201cAuckland By Numbers,\u201d an ethereal, atmospheric ballad written by Landau, is one of Gadd\u2019s personal favorites on the album, although he emphasizes that he enjoys every track. Duke Gadd, Michael Landau and Kevin Hays co-wrote track 3, \u201cWhere\u2019s Earth?,\u201d another exercise in the art of the polyrhythmic groove, featuring Duke\u2019s own acoustic guitar work and serving as a reminder of just how deftly his Dad can navigate tricky rhythmic changes and make it look easy. \u201cFoameopathy,\u201d another one of Steve Gadd\u2019s writing contributions along with Larry Goldings and Walt Fowler, follows, juxtaposing open spaces, spellbinding solo spots from Fowler and Landau, an air-tight bottom line and the high-level ensemble playing one expects from musicians of this caliber, so familiar with the importance of locking in snugly around a theme.<\/p>\r\n<p>\u201cSkulk,\u201d the next track, is borrowed from Larry Goldings (again, with Steve as the co-writer), the keyboardist who served with the band on its first three releases. An up-tempo, feel-good rhythm sits at the base of the tune while Hays and Landau explore the melody down several different paths. \u2028\u2028Johnson\u2019s second contribution, \u201cNorma\u2019s Girl,\u201d unfurls at an unhurried pace, allowing Fowler, in particular, to open up with one of his more stirring solo spots. \u2028\u2028Landau\u2019s \u201cRat Race\u201d projects an appropriately urban feel, all sharp edges and crisp licks, with Johnson\u2019s \u201cOne Point Five\u201d bringing a quasi-Latinesque flavor to the proceedings, the two Gadds drumming circles around one another throughout.<\/p>\r\n<p>\u201cTemporary Fault\u201d is the only cover song on the album. It comes from the canon of <strong>Allan Holdsworth<\/strong>, the master guitarist who left us last year. A hero to both the jazz and prog-rock communities for his axe-work, Holdsworth was also a composer of grace and style, as evidenced by the loving tribute the quintet brings to this track from the author\u2019s 1982 I.O.U. album. The song has special meaning to Jimmy Johnson.<\/p>\r\n<p>\u201cHe used to play with Allan,\u201d says Gadd, \u201cso it\u2019s a tribute. \u201cIt\u2019s great to find material that the guys are connected with, with a little bit of history.\u201d\u2028<\/p>\r\n<p>Rounding out Steve Gadd Band are \u201cSpring Song\u201d and \u201cTimpanogos,\u201d respectively compositions on the collection by Hays and Fowler. The former is the lone vocal number on the album, Hays giving the ballad a soulful reading that sends the music in a whole other direction for five glorious minutes, while the latter provides one final occasion for each of the band members to display both their unassailable individual chops and uncanny knack for stellar interactivity.<\/p>\r\n<p>Don\u2019t expect a solo from the leader himself, however. This album, says Gadd, was not the place for that sort of exercise. \u201cI didn\u2019t on the record but I play solos a lot when we play live,\u201d he says. \u201cWe might do a live album with some of the same stuff after the band\u2019s played it for a while and probably there will be more drum solos in that.\u201d<\/p>\r\n\r\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"<p><div class=\"et_pb_row et_pb_row_0 et_pb_row_empty\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> Facebook Instagram Youtube Twitter www.drstevegadd.com Steve Gadd, Grammy\u00ae-Nominated, world-renowned drummer, returns with his 4th album release from Steve Gadd Band &#8220;These fellows make up the better part of my musical life. Together we make a traveling community. It&#8217;s been that way for half of my days. Long may it remain so.\u00a0Each of these guys [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1634,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":""},"project_category":[21],"project_tag":[],"_links":{"self":[{"href":"https:\/\/doreendagostinomedia.com\/wordpress\/wp-json\/wp\/v2\/project\/1139"}],"collection":[{"href":"https:\/\/doreendagostinomedia.com\/wordpress\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/doreendagostinomedia.com\/wordpress\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/doreendagostinomedia.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/doreendagostinomedia.com\/wordpress\/wp-json\/wp\/v2\/comments?post=1139"}],"version-history":[{"count":5,"href":"https:\/\/doreendagostinomedia.com\/wordpress\/wp-json\/wp\/v2\/project\/1139\/revisions"}],"predecessor-version":[{"id":1645,"href":"https:\/\/doreendagostinomedia.com\/wordpress\/wp-json\/wp\/v2\/project\/1139\/revisions\/1645"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/doreendagostinomedia.com\/wordpress\/wp-json\/wp\/v2\/media\/1634"}],"wp:attachment":[{"href":"https:\/\/doreendagostinomedia.com\/wordpress\/wp-json\/wp\/v2\/media?parent=1139"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/doreendagostinomedia.com\/wordpress\/wp-json\/wp\/v2\/project_category?post=1139"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/doreendagostinomedia.com\/wordpress\/wp-json\/wp\/v2\/project_tag?post=1139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}